I must Create a System or be enslav'd by another Man's.
-- William Blake. Jerusalem 10,20.
[N]ew techniques and technologies often aim to remove a surface
constraint (objects, organizations, practices, institutions) without
appreciating their submerged resourcefulness.
...So while paper may seem a constraint on the circulation of
information, readers and writers have made it a powerful resource for
making, shaping, warranting, interpreting, and even protecting
information. The example of paper suggests to us that, for design more
generally, before an apparent constraint is dismissed, it's important
to consider the social resource that people may have developed around
it.
Conversely, designers might look at ways to turn constraints into
resources.
-- John Seely Brown and
Paul Duguid. The Social Life of Information. 2000.
p.243-244
It is often assumed that technology shapes society without itself being
subject to profound social influences. Supposedly, the most efficient
configuration of technical resources will be discovered by technologists
and will then determine social evolution. But this assumption is now
challenged in technology studies. We have learned that technologies
are the products of society through and through, that they meet the
demands of various social actors and that they reflect rather than
determine society.
-- Andrew Feenberg "The changing debate over online
education." AFT On Campus vol.20 n.7 (April 2001) p.12.
[Leon R. Kass, professor in the Committee on Social Thought at the
University of Chicago and former chairman of the President's Council
on Bioethics] has stated that a commonly held view is that
technology is "the sum total of human tools and methods, devised by
human beings to control our environment for our own benefit." People
who hold that view define technology as purely instrumental. The
problems that can arise from technology, then, are problems of human
practice and implementation that can be dealt with by regulation. Kass
argues, however, that such an attitude "holds too narrow an
understanding of the nature of technology, too shallow a view of the
difficulties it produces, and too optimistic a view of our ability to
deal with them."
-- Vartan Gregorian,
"Grounding Technology in Both Science and Significance"
The Chronicle of Higher Education,
December 9, 2005,
http://chronicle.com/weekly/v52/i16/16b00301.htm
What's the point of going to all this trouble to build machines
capable of displaying digital text if we can't exploit the basic
interactivity of that text? People don't want to read on a screen just
for the thrill of it; even with the iPad's beautiful display, reading
on paper is still a higher-resolution experience, and much easier on
the eyes. Yes, the iPad makes it easier to carry around a dozen books
and magazines, but that's not the only promise of the technology. The
promise also lies in doing things with the words, forging new links of
association, remixing them. We have all the tools at our disposal to
create commonplace books that would astound Locke and Jefferson. And
yet we are, deliberately, trying to crawl back into the glass box.
-- Steven Berlin Johnson "The Glass Box And The Commonplace Book" (April 23, 2010)
(transcript of the Hearst New Media lecture (April 22, 2010) at Columbia University,
subtitled "Two Paths For The Future of Text."
http://www.stevenberlinjohnson.com/2010/04/the-glass-box-and-the-commonplace-book.html
In the long run, each media revolution offers people an entirely new
perspective through which to relate to their world. Language led to
shared learning, cumulative experience, and the possibility for
progress. The alphabet led to accountability, abstract thinking,
monotheism, and contractual law. The printing press and private
reading led to a new experience of individuality, a personal
relationship to God, the Protestant Reformation, human rights, and the
Enlightenment. With the advent of a new medium, the status quo not
only comes under scrutiny; it is revised and rewritten by those who
have gained new access to the tools of its creation.
Unfortunately, such access is usually limited to small elite. The
Axial Age invention of the twenty-two-letter alphabet did not lead to
a society of literate Israelite readers, but a society of hearers, who
would gather in the town square to listen to the Torah scroll read to
them by a rabbi. Yes, it was better than being ignorant slaves, but it
was a result far short of the medium's real potential.
Likewise, the invention of the printing press in the Renaissance led
not to a society of writers but one of readers; except for a few
cases, access to the presses was reserved, by force, for the use of
those already in power. Broadcast radio and television were really
just extensions of the printing press: expensive, one-to-many media
that promote the mass distribution of the stories and ideas of a small
elite at the center. We don't make TV; we watch it.
Computers and networks finally offer us the ability to write. And we do
write with them on our websites, blogs, and social networks. But the
underlying capability of the computer era is actually programming --
which almost none of us knows how to do. We simply use the programs
that have been made for us, and enter our text in the appropriate box
on the screen. We teach kids how to use software to write, but not how
to write software. This means they have access to the capabilities
given to them by others, but not the power to determine the
value-creating capabilities of these technologies for themselves.
Like the participants of media revolutions before our own, we have
embraced the new technologies and literacies of our age without
actually learning how they work and work on us. And so we, too, remain
one step behind the capability actually being offered us. Only an
elite -- sometimes a new elite, but an elite nonetheless -- gains the
ability to fully exploit the new medium on offer. The rest learn to be
satisfied with gaining the ability offered by the last new medium. The
people hear while the rabbis read; the people read while those with
access to the printing press write; today we write, while our
techno-elite programs. As a result, most of society remains one full
dimensional leap of awareness and capability behind the few who manage
to monopolize access to the real power of any media age.
-- Douglas Rushkoff. Program or Be Programmed:
Ten Commands for a Digital Age. (2010) p 13-14.
The French writer Jean-Phillipe De Tonnac says "the true function of
books is to safeguard the things that forgetfulness constantly
threatens to destroy." It's precisely because it is not immediate -
because it doesn't know what happened five minutes ago in Kazakhstan,
or in Charlie Sheen's apartment - that the book matters.
...We are the first generation to ever use the internet, and when I
look at how we are reacting to it, I keep thinking of the Inuit
communities I met in the Arctic, who were given alcohol and sugar for
the first time a generation ago, and guzzled them so rapidly they were
now sunk in obesity and alcoholism. Sugar, alcohol and the web are all
amazing pleasures and joys - but we need to know how to handle them
without letting them addle us.
-- Johann Hari. "How to Survive the Age of Distraction."
The Independent, June 24, 2011.
Elevators also raised new questions of etiquette. According to [Lee] Gray
[a columnist for
Elevator World and an associate professor of architecture
at the University of North Carolina at Charlotte], the
author of a 2002 book on the early history of elevators, one big issue
was whether a man in an elevator ought to remove his hat in the presence
of a woman, as he would in someone's home or a restaurant, or keep it
on, as he would on a train or a streetcar. The question, says Gray,
reflected a basic uncertainty about what this space really was--a mode of
transportation, or some kind of tiny moving room.
That was only one of the peculiar uncertainties that came with riding
elevators. Another was that they felt simultaneously public and private,
taking people out of the broader world while locking them into a narrow,
self-contained one alongside a random assortment of colleagues,
neighbors, and strangers. By bringing together people who often only
kind of knew each other, elevators created vague expectations of
interaction--a smile, a nod, even a bit of small talk to acknowledge that
everyone on board lived or worked in the same building.
When Bernard began researching his book, he was interested in finding
the moment when all that anxiety and ambiguity finally went away. "What
I wanted was to go directly to the threshold, where it changed from this
alien thing, to something which is completely normal," he said. But
after years of research, he came to a surprising conclusion: That moment
of normalcy never came. "It turns out we still live on this threshold,"
he says.
-- Leon Neyfakh "How the elevator transformed America"
review of the book Lifted by Andreas Bernard,
The Boston Globe (Mar 02, 2014)
http://www.bostonglobe.com/ideas/2014/03/02/how-elevator-transformed-america/b8u17Vx897wUQ8zWMTSvYO/story.html
Is he [a New York stocks trader] motivated by greed? "Definitely. Do I
have any existential or moral issues with that? I don't. We're not
seeking to improve the state of technology -- we push the envelope to
seek profit. The way I redeem it is seeing the benefit it has for my
child and my wife."
-- Andrew Smith. "Fast money: the battle against the high frequency traders,"
The Guardian (Jun 6, 2014)
http://www.theguardian.com/business/2014/jun/07/inside-murky-world-highfrequency-trading
"We shape our tools and thereafter our tools shape us"
The quote "We become what we behold. We shape our tools and then our
tools shape us" is often mistakenly attributed to Marshall
McLuhan. It does NOT appear ... in any published work by
McLuhan....
The quote was actually written by Father John
Culkin, SJ, a
Professor of Communication at Fordham University in New York and friend
of McLuhan... in an article by Culkin about McLuhan: Culkin, J.M. (1967,
March 18).
A
schoolman's guide to Marshall McLuhan.
Saturday Review,
pp. 51-53, 71-72. The idea presented in the quote is entirely
consistent with McLuhan's thinking on technology in general.
[from postulates that help understand Marshall McLuhan:]
Life imitates art. We shape our tools and thereafter they shape us.
These extensions of our senses begin to interact with our senses. These
media become a massage. The new change in the environment creates a new
balance among the senses. No sense operates in isolation. The full
sensorium seeks fulfillment in almost every sense experience. And since
there is a limited quantum of energy available for any sensory
experience, the sense-ratio will differ for different media....
We shaped the alphabet and it shaped us... And once a culture uses
such a medium [print] for a few centuries, it begins to perceive the
world in a one-thing-at-a-time, abstract, linear, fragmented, sequential
way. And it shapes its organizations and schools according to the same
premises. The form of print has become the form of thought. The medium
has become the message.
But the other aspect of the Free Spirit that fascinated him, and this
applied to the whole text, was how these heresies would get started,
often spontaneously generating around some single medieval equivalent of
your more outspoken homeless mumbler. Organized religion, he saw, back
in the day, had been purely a signal-to-noise proposition, at once the
medium and the message, a one-channel universe. For Europe, that
channel was Christian, and broadcasting from Rome, but nothing could be
broadcast faster than a man could travel on horseback. There was a
hierarchy in place, and a highly organized methodology of top-down
signal dissemination, but the time lag enforced by tech-lack imposed a
near-disastrous ratio, the noise of heresy constantly threatening to
overwhelm the signal.
-- William Gibson. Spook Country (2007), p.111.
[T]he media of communication available to a culture are a dominant
influence on the formation of the culture's intellectual and social
preoccupations.
-- Neil Postman. Amusing Ourselves to Death, NY:
Penguin Books, 1985, Chapter 1, "The Medium Is the Metaphor," p.9.
We have trained the algorithms to feed us more extreme content every
time. The algorithms are designed to work that way. We change YouTube
and Facebook, so YouTube and Facebook change us -- and not for the
better.
How we live significantly determines how we are, what we become.
Submission to our systems amounts to an erasure of personal independence.