One of the characteristics of any technological revolution is
nostalgia for the old order. Socrates, who lived a few hundred
years after the invention of the Greek alphabet, when writing was
transforming Greek culture, strenuously argued the superiority of
the oral culture it was replacing. According to Plato's (written)
account, Socrates predicted that the use of writing would weaken
memories and deprive "learners" of the chance to question what they
were being taught.
It took 2000 years of writing before an alphabet was developed.
It took a century and a half of printing before someone thought
to print a novel or a newspaper. New communications technologies
do not arrive upon the scene fully grown; they need time to
develop the methods and forms that best exploit their potential.
The people of the old way placidly accepted new technologies and
products, so long as they worked better than the old ones and so long
as using them did not require changing one's life in any important
way. To Sutty this seemed a profound but reasonable conservatism. But
to an economy predicated on endless growth, it was anathema.
-- Ursula K. Le Guin. The Telling. 2000. p.125-126.
If men learn this, it will implant forgetfulness in their souls; they
will cease to exercise memory because they rely on that which is
written, calling things to remembrance no longer from within
themselves, but by means of external marks. What you have discovered
is a recipe not for memory, but for reminder. And it is no true wisdom
that you offer your disciples, but only its semblance, for by telling
them of many things without teaching them you will make them seem to
know much, while for the most part they know nothing, and as men
filled, not with wisdom, but with the conceit of wisdom, they will be
a burden to their fellows.
-- Plato. "Phaedrus."
The Collected Dialogues of Plato,
Edited by Edith Hamilton and Huntington Cairns
Translated by Lane Cooper. Princeton University Press (1961).
SOCRATES: At the Egyptian city of Naucratis, there was a famous old
god, whose name was Theuth; the bird which is called the Ibis is sacred
to him, and he was the inventor of many arts, such as arithmetic and
calculation and geometry and astronomy and draughts and dice, but his
great discovery was the use of letters.
Now in those days the god
Thamus was the king of the whole country of Egypt; and he dwelt in that
great city of Upper Egypt which the Hellenes call Egyptian Thebes, and
the god himself is called by them Ammon.
To him came Theuth and showed
his inventions, desiring that the other Egyptians might be allowed to
have the benefit of them; he enumerated them, and Thamus enquired about
their several uses, and praised some of them and censured others, as he
approved or disapproved of them. It would take a long time to repeat
all that Thamus said to Theuth in praise or blame of the various arts.
But when they came to letters, This, said Theuth, will make the
Egyptians wiser and give them better memories; it is a specific both
for the memory and for the wit.
Thamus replied: O most ingenious
Theuth, the parent or inventor of an art is not always the best judge
of the utility or inutility of his own inventions to the users of
them. And in this instance, you who are the father of letters, from a
paternal love of your own children have been led to attribute to them a
quality which they cannot have; for this discovery of yours will create
forgetfulness in the learners' souls, because they will not use their
memories; they will trust to the external written characters and not
remember of themselves. The specific which you have discovered is an
aid not to memory, but to reminiscence, and you give your disciples not
truth, but only the semblance of truth; they will be hearers of many
things and will have learned nothing; they will appear to be omniscient
and will generally know nothing; they will be tiresome company, having
the show of wisdom without the reality.
-- Plato Phaedrus (400 BC)
Translated by Benjamin Jowett (1871)
The Project Gutenberg Etext
ftp://ibiblio.org/pub/docs/books/gutenberg/etext99/phdrs10.txt
We mustn't model the digital library on the day-to-day operation of a
single human brain, which quite properly uses-or-loses, keeps
uppermost in mind what it needs most often, and does not refresh, and
eventually forgets, what it very infrequently considers -- after all,
the principal reason groups of rememberers invented writing and printing
was to record accurately what they sensed was otherwise likely to be
forgotten.
-- Nicholson Baker Double Fold. NY: Random House,
2001. p245.
It's a rather rare phenomenon for an established medium to die. If
media make it past their Golden Vaporware stage, they usually expand
wildly in their early days and then shrink back to some protective
niche as they are challenged by later and more highly evolved
competitors. Radio didn't kill newspapers, TV didn't kill radio or
movies, video and cable didn't kill broadcast network TV; they just all
jostled around seeking a more perfect app.
But some media do, in fact, perish. Such as: the phenakistoscope. The
teleharmonium. The Edison wax cylinder. The stereopticon. The Panorama.
Early 20th century electric searchlight spectacles. Morton Heilig's
early virtual reality. Telefon Hirmondo. The various species of magic
lantern. The pneumatic transfer tubes that once riddled the underground
of Chicago. Was the Antikythera Device a medium? How about the Big
Character Poster Democracy Wall in Peking in the early 80s?
...
How long will it be before the much-touted World Wide Web interface is
itself a dead medium? And what will become of all those billions of
thoughts, words, images and expressions poured onto the Internet? Won't
they vanish just like the vile lacquered smoke from a burning pile of
junked Victrolas?
-- Bruce Sterling
"The DEAD MEDIA Project:
A Modest Proposal and a Public Appeal"
Aug. 29, 2000.
http://www.deadmedia.org/modest-proposal.html
Today we hear ebook publishers tell each other and anyone who'll
listen that the barrier to ebooks is screen resolution. It's
bollocks, and so is the whole sermonette about how nice a book
looks on your bookcase and how nice it smells and how easy it is
to slip into the tub. These are obvious and untrue things, like
the idea that radio will catch on once they figure out how to
sell you hotdogs during the intermission, or that movies will
really hit their stride when we can figure out how to bring the
actors out for an encore when the film's run out. Or that what
the Protestant Reformation really needs is Luther Bibles with
facsimile illumination in the margin and a rent-a-priest to read
aloud from your personal Word of God.
New media don't succeed because they're like the [old] media, only
better: they succeed because they're worse than the old media at
the stuff the old media is good at, and better at the stuff the
old media are bad at. Books are good at being paperwhite,
high-resolution, low-infrastructure, cheap and disposable. Ebooks
are good at being everywhere in the world at the same time for
free in a form that is so malleable that you can just pastebomb
it into your IM session or turn it into a page-a-day mailing
list.
-- Cory Doctorow.
"Microsoft Research DRM talk"
June 17, 2004 http://craphound.com/msftdrm.txt
The French writer Jean-Phillipe De Tonnac says "the true function of
books is to safeguard the things that forgetfulness constantly
threatens to destroy." It's precisely because it is not immediate -
because it doesn't know what happened five minutes ago in Kazakhstan,
or in Charlie Sheen's apartment - that the book matters.
...We are the first generation to ever use the internet, and when I
look at how we are reacting to it, I keep thinking of the Inuit
communities I met in the Arctic, who were given alcohol and sugar for
the first time a generation ago, and guzzled them so rapidly they were
now sunk in obesity and alcoholism. Sugar, alcohol and the web are all
amazing pleasures and joys - but we need to know how to handle them
without letting them addle us.
-- Johann Hari. "How to Survive the Age of Distraction."
The Independent, June 24, 2011.
I have no principled or scientific objections to screens. The Internet
is my home for most of the day. Twitter captures a huge share of my
attention. I'm grateful for the rush of information, the microscopic way
it is possible to follow politics and soccer and poetry and journalistic
gossip. It's strange, though, to look back and recall a day's worth of
reading. Of course, I could probably pose the question to my computer
and find a precise record. But if I sit at my desk and try to list all
the tweets and articles and posts that have crossed my transom, there
are very few that I actually remember. Reading on the Web is a frantic
activity, compressed, haphazard, not always absorbed....
If the tech companies hope to absorb the totality of human existence
into their corporate fold, then reading on paper is one of the few
slivers of life that they can't fully integrate. The tech companies will
consider this an engineering challenge waiting to be solved. Everyone
else should take regular refuge in the sanctuary of paper. It is our
respite from the ever-encroaching system, a haven we should
self-consciously occupy.
-- Franklin Foer.
How
Technology Makes Us Less Free
Literary Hub (September 13, 2017), (from
World Without Mind:
The Existential Threat of Big Tech. Penguin Press, 2017).
Every society fears a new technology, and when it eventually embraces
it, it does it by declaring the death of the previous technology
(which never dies completely) and adapts the vocabulary of the
previous technology for its own uses. And yet, both in Socrates' case,
and in the case of the electronic technology, our active memory is
threatened if we allow an instrument to do the memorizing for us.
There is a distinction that is important between memorizing, as a book
or a computer can do, and remembering, which we alone can do through
the unfathomably complex system of thinking.
Many scholars remained suspicious of using alphabetical order for
reference purposes. It was somehow cheating, they felt, not to
memorise large tranches of text or read books through from beginning
to end.
The internet, [Nicholas] Carr posited, was to blame. "My mind now
expects to take in information the way the Net distributes it."
This argument has become something of a cliche, and Carr was
self-aware enough to point out that this was hardly a new concern.
Marshall McLuhan had said much the same thing about technology in the
1960s. Nietzsche's prose, according to a friend of his, became
"tighter, more telegraphic" after he began using a typewriter. A minor
Venetian humanist lamented that the arrival of Gutenberg's printing
press in the 15th century would make people lazy, weak-minded and
"less studious."
Misoneism is the ur-fear. It's understandable when it emerges as a
response to paradigm-shifting inventions like the typewriter, the
printing press or writing itself.
The Renaissance polymath Conrad Gessner balked at those "ignorant or
dishonest men" who "rely only on the indexes" to gain information. A
couple of centuries later Alexander Pope put it more floridly in
The
Dunciad: "Index-learning turns no student pale/Yet holds the eel of
science by the tail." The index, in these conceptions, is a shortcut,
a cheat code that lets you digest a book without reading it in full.
We are back to Socrates.