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One of the characteristics of any technological revolution is nostalgia for the old order. Socrates, who lived a few hundred years after the invention of the Greek alphabet, when writing was transforming Greek culture, strenuously argued the superiority of the oral culture it was replacing. According to Plato's (written) account, Socrates predicted that the use of writing would weaken memories and deprive "learners" of the chance to question what they were being taught.
-- Mitchell Stephens. The Death of Reading, Los Angeles Times Magazine (September 22, 1991).
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It took 2000 years of writing before an alphabet was developed. It took a century and a half of printing before someone thought to print a novel or a newspaper. New communications technologies do not arrive upon the scene fully grown; they need time to develop the methods and forms that best exploit their potential.
-- Mitchell Stephens. The Death of Reading, Los Angeles Times Magazine (September 22, 1991).
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The people of the old way placidly accepted new technologies and products, so long as they worked better than the old ones and so long as using them did not require changing one's life in any important way. To Sutty this seemed a profound but reasonable conservatism. But to an economy predicated on endless growth, it was anathema.
-- Ursula K. Le Guin. The Telling. 2000. p.125-126.
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If men learn this, it will implant forgetfulness in their souls; they will cease to exercise memory because they rely on that which is written, calling things to remembrance no longer from within themselves, but by means of external marks. What you have discovered is a recipe not for memory, but for reminder. And it is no true wisdom that you offer your disciples, but only its semblance, for by telling them of many things without teaching them you will make them seem to know much, while for the most part they know nothing, and as men filled, not with wisdom, but with the conceit of wisdom, they will be a burden to their fellows.
-- Plato. "Phaedrus." The Collected Dialogues of Plato, Edited by Edith Hamilton and Huntington Cairns Translated by Lane Cooper. Princeton University Press (1961).
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SOCRATES: At the Egyptian city of Naucratis, there was a famous old god, whose name was Theuth; the bird which is called the Ibis is sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters.

Now in those days the god Thamus was the king of the whole country of Egypt; and he dwelt in that great city of Upper Egypt which the Hellenes call Egyptian Thebes, and the god himself is called by them Ammon.

To him came Theuth and showed his inventions, desiring that the other Egyptians might be allowed to have the benefit of them; he enumerated them, and Thamus enquired about their several uses, and praised some of them and censured others, as he approved or disapproved of them. It would take a long time to repeat all that Thamus said to Theuth in praise or blame of the various arts. But when they came to letters, This, said Theuth, will make the Egyptians wiser and give them better memories; it is a specific both for the memory and for the wit.

Thamus replied: O most ingenious Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a quality which they cannot have; for this discovery of yours will create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality.

-- Plato Phaedrus (400 BC) Translated by Benjamin Jowett (1871) The Project Gutenberg Etext ftp://ibiblio.org/pub/docs/books/gutenberg/etext99/phdrs10.txt
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We mustn't model the digital library on the day-to-day operation of a single human brain, which quite properly uses-or-loses, keeps uppermost in mind what it needs most often, and does not refresh, and eventually forgets, what it very infrequently considers -- after all, the principal reason groups of rememberers invented writing and printing was to record accurately what they sensed was otherwise likely to be forgotten.
-- Nicholson Baker Double Fold. NY: Random House, 2001. p245.
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It's a rather rare phenomenon for an established medium to die. If media make it past their Golden Vaporware stage, they usually expand wildly in their early days and then shrink back to some protective niche as they are challenged by later and more highly evolved competitors. Radio didn't kill newspapers, TV didn't kill radio or movies, video and cable didn't kill broadcast network TV; they just all jostled around seeking a more perfect app.

But some media do, in fact, perish. Such as: the phenakistoscope. The teleharmonium. The Edison wax cylinder. The stereopticon. The Panorama. Early 20th century electric searchlight spectacles. Morton Heilig's early virtual reality. Telefon Hirmondo. The various species of magic lantern. The pneumatic transfer tubes that once riddled the underground of Chicago. Was the Antikythera Device a medium? How about the Big Character Poster Democracy Wall in Peking in the early 80s? ...

How long will it be before the much-touted World Wide Web interface is itself a dead medium? And what will become of all those billions of thoughts, words, images and expressions poured onto the Internet? Won't they vanish just like the vile lacquered smoke from a burning pile of junked Victrolas?
-- Bruce Sterling "The DEAD MEDIA Project: A Modest Proposal and a Public Appeal" Aug. 29, 2000. http://www.deadmedia.org/modest-proposal.html
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Today we hear ebook publishers tell each other and anyone who'll listen that the barrier to ebooks is screen resolution. It's bollocks, and so is the whole sermonette about how nice a book looks on your bookcase and how nice it smells and how easy it is to slip into the tub. These are obvious and untrue things, like the idea that radio will catch on once they figure out how to sell you hotdogs during the intermission, or that movies will really hit their stride when we can figure out how to bring the actors out for an encore when the film's run out. Or that what the Protestant Reformation really needs is Luther Bibles with facsimile illumination in the margin and a rent-a-priest to read aloud from your personal Word of God.
New media don't succeed because they're like the [old] media, only better: they succeed because they're worse than the old media at the stuff the old media is good at, and better at the stuff the old media are bad at. Books are good at being paperwhite, high-resolution, low-infrastructure, cheap and disposable. Ebooks are good at being everywhere in the world at the same time for free in a form that is so malleable that you can just pastebomb it into your IM session or turn it into a page-a-day mailing list.
-- Cory Doctorow. "Microsoft Research DRM talk" June 17, 2004 http://craphound.com/msftdrm.txt
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The French writer Jean-Phillipe De Tonnac says "the true function of books is to safeguard the things that forgetfulness constantly threatens to destroy." It's precisely because it is not immediate - because it doesn't know what happened five minutes ago in Kazakhstan, or in Charlie Sheen's apartment - that the book matters.

...We are the first generation to ever use the internet, and when I look at how we are reacting to it, I keep thinking of the Inuit communities I met in the Arctic, who were given alcohol and sugar for the first time a generation ago, and guzzled them so rapidly they were now sunk in obesity and alcoholism. Sugar, alcohol and the web are all amazing pleasures and joys - but we need to know how to handle them without letting them addle us.
-- Johann Hari. "How to Survive the Age of Distraction." The Independent, June 24, 2011.
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I have no principled or scientific objections to screens. The Internet is my home for most of the day. Twitter captures a huge share of my attention. I'm grateful for the rush of information, the microscopic way it is possible to follow politics and soccer and poetry and journalistic gossip. It's strange, though, to look back and recall a day's worth of reading. Of course, I could probably pose the question to my computer and find a precise record. But if I sit at my desk and try to list all the tweets and articles and posts that have crossed my transom, there are very few that I actually remember. Reading on the Web is a frantic activity, compressed, haphazard, not always absorbed....

If the tech companies hope to absorb the totality of human existence into their corporate fold, then reading on paper is one of the few slivers of life that they can't fully integrate. The tech companies will consider this an engineering challenge waiting to be solved. Everyone else should take regular refuge in the sanctuary of paper. It is our respite from the ever-encroaching system, a haven we should self-consciously occupy.
-- Franklin Foer. How Technology Makes Us Less Free Literary Hub (September 13, 2017), (from World Without Mind: The Existential Threat of Big Tech. Penguin Press, 2017).
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Every society fears a new technology, and when it eventually embraces it, it does it by declaring the death of the previous technology (which never dies completely) and adapts the vocabulary of the previous technology for its own uses. And yet, both in Socrates' case, and in the case of the electronic technology, our active memory is threatened if we allow an instrument to do the memorizing for us. There is a distinction that is important between memorizing, as a book or a computer can do, and remembering, which we alone can do through the unfathomably complex system of thinking.
-- Alberto Manguel. "Chance Is a Good Librarian" interviewed by Chance Magazine no. 5 (7 March 2013).
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Many scholars remained suspicious of using alphabetical order for reference purposes. It was somehow cheating, they felt, not to memorise large tranches of text or read books through from beginning to end.
-- Joe Moran. The curious history of alphabetical order The Guardian (30 Jan 2020). [Review of the book A Place for Everything: The Curious History of Alphabetical Order by Judith Flanders.]
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The internet, [Nicholas] Carr posited, was to blame. "My mind now expects to take in information the way the Net distributes it."

This argument has become something of a cliche, and Carr was self-aware enough to point out that this was hardly a new concern. Marshall McLuhan had said much the same thing about technology in the 1960s. Nietzsche's prose, according to a friend of his, became "tighter, more telegraphic" after he began using a typewriter. A minor Venetian humanist lamented that the arrival of Gutenberg's printing press in the 15th century would make people lazy, weak-minded and "less studious."

Misoneism is the ur-fear. It's understandable when it emerges as a response to paradigm-shifting inventions like the typewriter, the printing press or writing itself.
-- Michael Delgado. The radical power of the book index, Prospect Magazine (August 26, 2021), Review of Index, A History of the by Dennis Duncan.
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The Renaissance polymath Conrad Gessner balked at those "ignorant or dishonest men" who "rely only on the indexes" to gain information. A couple of centuries later Alexander Pope put it more floridly in The Dunciad: "Index-learning turns no student pale/Yet holds the eel of science by the tail." The index, in these conceptions, is a shortcut, a cheat code that lets you digest a book without reading it in full. We are back to Socrates.
-- Michael Delgado. The radical power of the book index, Prospect Magazine (August 26, 2021), Review of Index, A History of the by Dennis Duncan.
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