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New Yorker 8Wood 9

 

Released from the formulas of falsity that contaminate much realistic fiction — drama, dialogue, the pretense of "real time," the cause-and-effect of motive — the writer proceeds like a biographer who sees everything after it has happened. Sebald understands that a life is an edifice, which we build partly to hide its foundations. And the difference between an edifice and a ruin may be hard to detect.
-- James Wood. "The other side of silence: Rereading W.G. Sebald" New Yorker (June 5, 2017).
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