A Commonplace Book

Whatever its political, pedagogical, cultural content, the plan is always to get some meaning across, to keep the masses within reason; an imperative to produce meaning that takes the form of the constantly repeated imperative to moralise information: to better inform, to better socialise, to raise the cultural level of the masses, etc. Nonsense: the masses scandalously resist the imperative of rational communication. They are given meaning: they want spectacle. No effort has been able to convert them to the seriousness of the content, nor even to the seriousness of the code. Messages are given to them, they only want some sign, they idolise the play of signs and stereotypes, they idolise any content so long as it resolves itself into a spectacular sequence. What they reject is the "dialectic" of meaning. Nor is anything served by alleging that they are mystified. This is always a hypocritical hypothesis which protects the intellectual complaisance of the producers of meaning: the masses spontaneously aspire to the natural light of reason. This in order to evade the reverse hypothesis, namely that it is in complete "freedom" that the masses oppose their refusal of meaning and their will to spectacle to the ultimatum of meaning. They distrust, as with death, this transparency and this political will.They scent the simplifying terror which is behind the ideal hegemony of meaning, and they react in their own way, by reducing all articulate discourse to a single irrational and baseless dimension, where signs lose their meaning and peter out in fascination: the spectacular.