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Quarterly Journal of the National Centre for the Performing Arts 8Narayan 9

 

[Sarangi players] have to tune and retune their instrument four or five times a day and, because of that, I think, they have a deeper understanding of tunefulness and intonation. Tuning a sarangi is not a waste of time. One always learns something and penetrates deeper into the subtle world of sound. It is not easy to tune the sarangi perfectly. It only happens to me once in a while, when the circumstances are optimal, when I am in a good and peaceful mood and when I have time to concentrate.
-- Ram Narayan. quoted in "The Voice of the Sarangi" by Joep Bor, Quarterly Journal of the National Centre for the Performing Arts, Bombay, Volume XV XVI (Sept., Dec. '86 & Mar. '87).
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